CCCC

August 19, 2014, 9:34 am

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CCCC, Luc Chessex
This is not, 2014
Background photography Luc Chessex
from Castro series, courtesy Luc Chessex

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Millionaire Typeface

August 19, 2014, 9:34 am

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Millionaire typeface, 2014

St-Raphaël Typeface

November 27, 2014, 1:41 am

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St-Raphaël typeface, 2013
St-Raphaël liquors lettering interpretation

Corporate typeface for Monaako Beach Towels identity

Work in progress

Thames Capsule Font Project

June 17, 2015, 8:27 pm

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Thames Capsule Font Project is published through a web page specimen, featuring selected text samples, history details and narrative images with the intent to build an atmosphere around the typeface.

Our digital process of the Doves letterpresses restoration and interpretation enhance the original Art & Craft qualities of the font, the richness of curves and the humanistic based shapes. We made place for interpretation, merging wood-cut like details that match with the intentions we alleged to Emery Walker.

The Doves Press was a private printing presses operating at the start of the 20th Century, established by TJ Cobden-Sanderson, with Emery Walker joining later as partner. By 1909 Cobden-Sanderson and Walker were at the height of a protracted and bitter dispute involving the rights to the Doves type in the dissolution of their partnership. All rights to the Doves type were to pass to Emery Walker upon the death of Cobden-Sanderson. Yet, when the press closed in 1916 Cobden-Sanderson threw the type along with its punches and matrices into the Thames. Doves type letterpresses have been discovered in the River Thames in 2014. Designer Robert Green is the person who searched for and retrieved the original metal Doves letterpress from the Thames. His great archeological and historical work brought to light Doves typographic heritage (dovestype.com).

Vivre au pays des esprits

September 2, 2015, 2:13 am

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Vivre au pays des esprits poster
For anthropologist Marco Motta
UNIL Lausanne, 2013
With Raphaël Rapin

Cherchez la femme

September 2, 2015, 2:13 am

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Cherchez la femme / Search For The Woman, Luc Chessex
This is not, 2014

Renard Typeface

September 2, 2015, 2:14 am

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Renard Typeface, 2014

Stand-ups

September 2, 2015, 2:14 am

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Le Musée de l’Elysée, Lausanne invite Le Pôle de recherche national en Sciences Affectives de l’Université de Genève

Frank Schramm
Stand-ups—Reporting Live from Ground Zero

Publication for CISA / Musée de l'Elysée Lausanne, 2011

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Vilma & Raphaël Lettering

September 2, 2015, 2:14 am

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Vilma & Raphaël wedding card lettering, 2013

Dadabot

September 2, 2015, 2:40 am

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Dadabot
Nicolas Nova, Joël Vacheron

Editorial concept
Nicolas Nova, Joël Vacheron, Raphaël Verona

Design and Typesetting
Studio This is not / Faure & Verona

Assistants
Guillaume Besson, Benoît Timothée Ebener

Typefaces
Clarendon Graphic, François Rappo, Optimo
Plain, François Rappo, Optimo
Millionaire, Raphaël Verona

Printing
Musumeci Spa
Quart, Aosta, Italia

All rights reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, or otherwise, without prior permission in writing from the publisher.

© 2015, IDPURE éditions, Nicolas Nova, Joël Vacheron,
Raphaël Verona (Book concept), the authors (Texts),
Kieran Aarons (Translation), Studio This is Not /
Faure & Verona (Graphic design)

Published by Thierry Häusermann
IDPURE éditions
Switzerland
www.idpure-editions.ch

Dominicale Medium Typeface

August 19, 2014, 9:34 am

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Typeface designed for the book Sacré, 2012

Client: Matthieu Gafsou, Enquête photographique fribourgeoise, Service de la culture, Fribourg CH

3000 Corporate Identity

March 16, 2016, 2:23 am

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Art direction and design for a new London based clothes brand. In collaboration with Guillaume Peitrequin.
The Visual Identity is based on ThreeThousand, a new “retro-futuristic” typeface that was designed for the brand.

Client: 3000, Thomas Wakeford, work in progress

Eracom Lausanne, Birmingham book

March 16, 2016, 2:28 am

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ECAL Année Propédeutique

March 16, 2016, 3:11 am

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Design of the new book that presents the Foundation Year programme, in collaboration with Gaël Faure

Client: ECAL / Ecole cantonale d'art de Lausanne, 2016
Font in use: Thames Capsule
Image: Book cover, ECAL / Younès Klouche

Celstine Typeface family

April 6, 2016, 12:31 am

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Project initiated at ECAL in 2009 (Bachelor Diploma project). Study and Interpretation of engraving letters / Latines Françaises with the aim of producing a contemporary type design

Image: Freaks Exhibition catalogue designed in 2012 for the Musée de l'Elysée Lausanne and IDPURE Magazine issue 38
Font in use: Celstine Regular and Celstine Hairline

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Millionaire Typeface

May 4, 2017, 7:16 pm

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Self-initiated typeface project, 2014

Millionaire is based on George Bickham the Elder calligraphy, merged with transitional upper-case letters. The project was initiated for a commissioned watch design series for Swatch.